1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | Riesengebirgslandschaft | Riesengebirge | Drifting Clouds | Village Landscape in Morning Light | Wanderer Watching a Sea of Fog (mk45) |
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James Gay Sawkins
(1806-1878) was an artist who was born in 1806 in Yeovil, Somerset, England. At the age of 14, he moved to Baltimore, Maryland with his family, where he made his living painting miniature portraits on ivory. He lived in Cuba from 1835 to 1845 and visited Hawaii from January, 1850 to June, 1852. After working in Australia, he returned to England in 1855. Sawkins died in 1878 in Turnham Green (near London), England. The Honolulu Academy of Arts, Mission House Museum (Honolulu, Hawaii) and the National Library of Australia (Canberra) are among the public collections holding works by James Gay Sawkins.
Gustaf Rydberg
painted Skansk slatt med pilvall - motiv fran Viby in 1923 Swedish, 1835-1933
Jean Baptiste Huet
(Paris, 15 October 1745-Paris, 27 January 1811) was a French painter, engraver and designer associated with pastoral and genre scenes of animals in the Rococo manner, influenced by François Boucher. Born into a family of artistse his uncle was Christophe Huet, his father Nicolas Huetehe apprenticed with the animal painter Charles Dagomer, a member of the painters' guild, the Academie de Saint-Luc, Paris, who was working in the 1760s. Huet's interest in printmaking and his acquaintance with Gilles Demarteau, who later engraved many of his compositions, both date from this period. About 1764 Huet entered the studio of Jean-Baptiste Le Prince, where he further developed his printmaking skills, largely reproducing his own paintings, a method of publishing them with some profit. In 1768 he was approved by the Academie Royale, and 29 July 1769 he was received (reçu) in the minor category (petite maniere) of painter of animals and was well received in the public reviews when he began to exhibit at the Paris Salon that same year, with a Dog Attacking Geese, now at the Louvre. He continued to exhibit annually until 1789, through his attempts at the grand manner of history painting, considered the noblest genre, were not met with approval.